Deep Silence—Jonathan Maberry, 2018. Rating: 4/5
Captain Joe Ledger and his team are back to save the world in what is possibly the series’ darkest installment yet.
A massive terrorist attack on Washington, DC, leaves hundreds dead. Ledger’s department, the clandestine DMS, suspects that a new baddie has refined an alien technology and is making a God machine: triggering earthquakes and causing madness, murder, and suicide in people exposed to its influence.
Even worse, the sitting U.S. president is an incompetent pawn for a far savvier foreign government. He disregards dire intelligence warnings, decides that his own DMS is a threat to his power, declares it unpatriotic, and vows to disband it. All this, despite the imminent destruction of his country.
Ledger fights the good fight for the freedoms of the average joe, battling ignorance at home and the sly and deadly machinations of a new Soviet Union. Ledger encounters everything from the evil legacies of former foes, to aliens and dark gods from a Lovecraftian universe.
I have been a rabid fan of Joe Ledger series for years, so I will warn you: Don’t pick this one up unless you’ve read the others. It won’t have the emotional impact, and you’ll be a little lost by references to past villains and their evil toys.
As always, Maberry delivers great battle action and intense fight scenes. Ledger’s military tech and weaponry put James Bond’s gadgets to shame. Rapidly changing points of view add to the tension and make you fly through the pages.
There is less character development in Deep Silence, which is mostly o.k., because by now we know these tough, true guys and gals. At the same time, I wished for a little more to soften things a bit, because this story is dark.
In Deep Silence, Maberry creates a unsettling political climate that is frighteningly, realistically close to that in America today. This realism somehow spills over onto the ideas of alien technology and Cthulhu-like monsters, making them disturbingly plausible. I very much enjoyed Deep Silence and it is a turning point in the series: but is isn’t my favorite. Maybe it is too uncomfortably close to reality. At the same time, it offers something I’m lacking a little bit these days: hope for the future.