My Haunted Library

All things spooky. Your source for paranormal and supernatural book and movie reviews, strangeography, Halloween crafts and a little cozy fall baking.


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Review: The Silent Companions

The Silent Companions – Laura Purcell, 2017. 5/5

Here’s a hackles-raising, creepy little gem of a Victorian gothic that you won’t soon forget. Thank you, The Silent Companions, for getting my 2019 off to a horrific (in a good way) start.

I’m not easily scared. I want to be, badly. My problem is I get too excited about dissecting why and how something is scary. In a haunted house, I’m dancing around the guy with the chainsaw busily admiring how they strung the fishing wire to make it feel like spiderwebs brushing your face. I know. Lame.

I can honestly say, however, The Silent Companions raised actual goosebumps and made me say ooooh out loud. That’s huge. Purcell has crafted an uncommonly disturbing story. It will sneak up on you. And maybe make you put your Dutch paintings in the basement.

I’m going to keep the plot summary brief. I want you to come to The Silent Companions with as clean a slate as possible for maximum impact. In short: It is 1865. Elsie Bainbridge is newly married to and abruptly widowed from the handsome entrepreneur, Rupert. She is now heir to Rupert’s fortune and his crumbling family estate, The Bridge. Pregnant and looked at with some suspicion in London because of her sudden wealth, Elsie travels with Rupert’s mousy cousin, Sarah, to the family seat. The mansion is in disrepair, the servants are inept and contrary, the village is a muddy hovel filled with superstitious and hostile inhabitants. Strange noises, mysterious accidents, and off-the-charts macabre appearances of life-like cut-out paintings are enough to drive one mad.

The Silent Companions is beautifully layered story. With menacing subtlety, Purcell closes a series of traps around the two women: their class, gender, Victorian norms, self-doubt, and past history, each combine to render them more and more powerless against the real evil in the house.

Purcell’s writing is brilliant. Tension builds exquisitely as we readers share Elsie’s confinement in the remote locale and her increasing fear and claustrophobia. Purcell further surprises us by exploding Victorian gentility with rudely shocking events.

The Silent Companions is a deceptively quiet, chilling, stunner of a read. I can’t recommend it highly enough.

rating system five crows


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Review: The Death of Mrs. Westaway

The Death of Mrs. Westaway—Ruth Ware, 2018. 4.5

Superstitions and secrets make for a tense read in this deeply satisfying mystery.

At just twenty-one, Hal is saddled with all the responsibilities—and fears—of adulthood. Working as a tarot reader after the death of her mother, Hal is drowning in bills, soon to be homeless, and threatened by an unsavory lender. She is desperate.

Then she receives a letter that could change her life, naming her as a beneficiary in her grandmother’s will: impossible, since her grandparents died a decade ago. With no other options, Hal decides to scam her way into some inheritance money. This sounds simple in the abstract, but when she is warmly accepted by the family members, Hal is torn. As Hal works herself deeper into an ethical dilemma, she uncovers a passel of ominous family secrets and puts herself in mortal danger.

The Death of Mrs. Westaway is a modern take on a classic country house mystery. A closed circle of suspects, an isolated location, an old mystery slowly exposed through tantalizing diary entries from the past, all combined with a scrappy heroine who has no one to trust (who no one should trust), are well calculated to make us mystery lovers shiver in delight.

Ware’s careful plotting and lightning pacing work to maximize suspense, making you perfectly o.k. with the fact that very little action takes place until a final, movie-worthy dramatic climax. Ware does a few—good!—things differently with The Death of Mrs. Westaway that make for a surprising and welcome contrast to the feel of her other books. Here, she adds a tantalizing touch of the almost-supernatural: enticing us with the exotically arcane details and symbolism of Hal’s tarot cards and adding a rich layer to the narrative.

There is also a pleasantly unexpected warmth to the characters of this tale. We like Hal, with her helpless façade hiding her inner strength. We root for her as she simultaneously struggles with her deception yet is at the mercy of other deceptions swirling around her.

While the mystery itself is not especially tangled, Ware’s humanizing use of deeper themes make us reflect on both the nature of family and the creation of identity, all the while we’re eagerly flying through the pages to discover who done it. And just what it was. The Death of Mrs. Westaway is my favorite of Ware’s works so far.

rating system four and a half crows


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Best of 2018

There’s a little something for everyone in this year’s top five. Er, six. O.k., maybe seven. (I had to throw in the UFO thriller. And the movie.)

But these are my favorites. We’ve got a western, a Gothic mystery, demonic possession, cryptids, a freakish carnival…Some of these reads are hauntingly, existentially mind-blowing. Some are just great fun. Some will trick you. They’re all magnificent. Text links are to my extended reviews, image links take you to Amazon. Really, all of these books I’d read again, and the movie I’ll definitely watch again. So, yes, I’m glad I own them. You would be too.

Train to BusanFilm directed by Sang-ho Yeon. 2016. You’re in for a bloody and deadly ride on this train when a viral outbreak turns folks into savage, fast zombies. Awesome action sequences and even a little bit of tear-jerking make this South Korean film a gem.

A Head Full of GhostsPaul Tremblay, 2015. An unforgettably disturbing tale of a 1980’s working-class family that deals with the demonic possession of their oldest daughter by letting a reality tv show document the teen’s paranormal behavior and exorcism. But there’s so much, much, more to the story… Multiple narrators, (sort of) make us question the reality of our memories. Profoundly chilling.

Devil’s CallJ. Danielle Dorn, 2017.  Pregnant Li Lian pursues her husband’s killer from New Orleans across the badlands of South Dakota in typical revenge-western style. The difference? She’s a witch. And the killer she’s after isn’t exactly human. Great genre mash-up with a fierce female heroine.

Those Across the RiverChristopher Buehlman, 2011.  A college professor discovers that ending a southern small town’s odd ritual has horrifying results. You can almost feel the slow southern heat and the simmering malevolence of the sinister folks across the river in this sensual, evocative, surprising novel.

A Brush with ShadowsAnna Lee Huber, 2018. It is 1831. Lady Kiera Darby and her inquiry agent husband, Gage, are summoned to the ominous family manor to find Gage’s missing ne’er-do-well cousin, last seen on the perilous moor. A deliciously spooky atmosphere, ominous dreams, and whispers of witchcraft combine with some solid character building to make this Gothic mystery my favorite in the series so far.

The Rib From Which I Remake The WorldEd Kurtz, 2016. Midnight showings from a travelling picture show bring black magic, madness, and murder home to folks in a small 1940’s town. It is up to a hotel detective, Jojo, to unravel the truth. But what he finds makes him question both the very nature of reality and his own existence. Brilliantly written and deeply creepy, this is a stunner of a read.

The OthersJeremy Robinson, 2018. PI Dan Delgado takes on almost every conspiracy theory known to man—UFOs, subterranean bases, polygamous sects, cattle mutilations, the 37th parallel, nanites, empaths—in his quest to find an abducted child. I had to add this to the list just because it is sheer over-the-top, action-packed, good-hearted fun.