My Haunted Library

All things spooky. Your source for paranormal and supernatural book and movie reviews, strangeography, Halloween crafts and a little cozy fall baking.


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Review: The Silent Companions

The Silent Companions – Laura Purcell, 2017. 5/5

Here’s a hackles-raising, creepy little gem of a Victorian gothic that you won’t soon forget. Thank you, The Silent Companions, for getting my 2019 off to a horrific (in a good way) start.

I’m not easily scared. I want to be, badly. My problem is I get too excited about dissecting why and how something is scary. In a haunted house, I’m dancing around the guy with the chainsaw busily admiring how they strung the fishing wire to make it feel like spiderwebs brushing your face. I know. Lame.

I can honestly say, however, The Silent Companions raised actual goosebumps and made me say ooooh out loud. That’s huge. Purcell has crafted an uncommonly disturbing story. It will sneak up on you. And maybe make you put your Dutch paintings in the basement.

I’m going to keep the plot summary brief. I want you to come to The Silent Companions with as clean a slate as possible for maximum impact. In short: It is 1865. Elsie Bainbridge is newly married to and abruptly widowed from the handsome entrepreneur, Rupert. She is now heir to Rupert’s fortune and his crumbling family estate, The Bridge. Pregnant and looked at with some suspicion in London because of her sudden wealth, Elsie travels with Rupert’s mousy cousin, Sarah, to the family seat. The mansion is in disrepair, the servants are inept and contrary, the village is a muddy hovel filled with superstitious and hostile inhabitants. Strange noises, mysterious accidents, and off-the-charts macabre appearances of life-like cut-out paintings are enough to drive one mad.

The Silent Companions is beautifully layered story. With menacing subtlety, Purcell closes a series of traps around the two women: their class, gender, Victorian norms, self-doubt, and past history, each combine to render them more and more powerless against the real evil in the house.

Purcell’s writing is brilliant. Tension builds exquisitely as we readers share Elsie’s confinement in the remote locale and her increasing fear and claustrophobia. Purcell further surprises us by exploding Victorian gentility with rudely shocking events.

The Silent Companions is a deceptively quiet, chilling, stunner of a read. I can’t recommend it highly enough.

rating system five crows


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Review: The Death of Mrs. Westaway

The Death of Mrs. Westaway—Ruth Ware, 2018. 4.5

Superstitions and secrets make for a tense read in this deeply satisfying mystery.

At just twenty-one, Hal is saddled with all the responsibilities—and fears—of adulthood. Working as a tarot reader after the death of her mother, Hal is drowning in bills, soon to be homeless, and threatened by an unsavory lender. She is desperate.

Then she receives a letter that could change her life, naming her as a beneficiary in her grandmother’s will: impossible, since her grandparents died a decade ago. With no other options, Hal decides to scam her way into some inheritance money. This sounds simple in the abstract, but when she is warmly accepted by the family members, Hal is torn. As Hal works herself deeper into an ethical dilemma, she uncovers a passel of ominous family secrets and puts herself in mortal danger.

The Death of Mrs. Westaway is a modern take on a classic country house mystery. A closed circle of suspects, an isolated location, an old mystery slowly exposed through tantalizing diary entries from the past, all combined with a scrappy heroine who has no one to trust (who no one should trust), are well calculated to make us mystery lovers shiver in delight.

Ware’s careful plotting and lightning pacing work to maximize suspense, making you perfectly o.k. with the fact that very little action takes place until a final, movie-worthy dramatic climax. Ware does a few—good!—things differently with The Death of Mrs. Westaway that make for a surprising and welcome contrast to the feel of her other books. Here, she adds a tantalizing touch of the almost-supernatural: enticing us with the exotically arcane details and symbolism of Hal’s tarot cards and adding a rich layer to the narrative.

There is also a pleasantly unexpected warmth to the characters of this tale. We like Hal, with her helpless façade hiding her inner strength. We root for her as she simultaneously struggles with her deception yet is at the mercy of other deceptions swirling around her.

While the mystery itself is not especially tangled, Ware’s humanizing use of deeper themes make us reflect on both the nature of family and the creation of identity, all the while we’re eagerly flying through the pages to discover who done it. And just what it was. The Death of Mrs. Westaway is my favorite of Ware’s works so far.

rating system four and a half crows


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Review: A Brush with Shadows

A Brush with Shadows – Anna Lee Huber, 2018.  Rating: 5/5

There are no spectral hounds terrorizing the moors in A Brush with Shadows, but mysterious poisonings, a family curse, and treacherous tors more than satisfy in this deliciously atmospheric installment in Huber’s Lady Darby series.

It is the summer of 1831, and newlyweds Lady Kiera Darby and her husband, golden boy and inquiry agent Sebastian Gage, are summoned to Dartmoor by Gage’s failing grandfather. Their task: to find Gage’s missing ne’er-do-well cousin, last seen on the perilous moor. Gage, however, is less than happy to be home.

After an emotionally abusive childhood at the hands of his viperish aunt and vicious cousins, followed by the unnatural death of his mother, Gage left his family home forever.  Returning now to Langstone Manor, he and Kiera find that little has changed: the manor is heavy with lies and animosity and secrets.

Despite deceptions thrown up by the unhelpful family and Gage’s own deep-seated anger towards his cousin, Gage feels honor-bound find him. And Kiera is there to help, both with the inquiry and with helping Gage confront his long-suppressed emotions.

A Brush with Shadows ranks as perhaps my favorite in the series thus far. Huber is beautifully on point in creating a sinister—even slightly spooky—mood. The manor itself is labyrinthian, dark, and filled with secret passages. Whispers of witchcraft, possible pixie encounters, and ominous dreams add delightful shivers.

Huber uses this tantalizing mystery to further deepen her characters. We have watched Kiera’s progression across the series as she worked to transcend her past and the invectives cast at her: transforming from social pariah to self-assured partner and even a quietly strong advocate for women in an age when their rights were limited.

As a new wife, Kiera treads gently but firmly to get to root of Gage’s emotions, intuiting her way through highly relatable marital uncertainties. And the pair’s romantic relationship—yep, satisfying there, too.

I didn’t want this book to end, and I can’t wait for the next one, though Huber will have her work cut out for her to surpass A Brush with Shadows. New to Lady Darby?  You are in for a treat. But start with the first title so you don’t miss anything: The Anatomist’s Wife.

rating system five crows