My Haunted Library

All things spooky. Your source for paranormal and supernatural book and movie reviews, strangeography, Halloween crafts and a little cozy fall baking.


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Review: The Haunted Air

The Haunted Air – F. Paul Wilson, 2002. Rating 4/5

Has a portal to hell—or somewhere worse—opened up in your basement? Repairman Jack’s the man to call. Jack is the ultimate fix-it guy: Anonymous. Tough as nails with a heart of gold. A New Yorker to the core.

In The Haunted Air, Jack tackles two seemingly unrelated cases. In the first, Jack assists two brothers—likeable con men running a fake medium scam who are being harassed by even more unscrupulous competitors. Oh, and they also have that supernatural basement problem along with a bona fide angry spirit haunting their home. In a parallel investigation, Jack follows a string of cold case child disappearances tied to a skeletal curio shop owner with a hand in some seriously bad magic.

As always, the Otherness is out there, an overarching darkness that is drawing Jack—and all of humanity—closer to a final confrontation.

The Haunted Air is the sixth book in Wilson’s Repairman Jack series. A beautiful thing about these stories is that you can pick one up as a stand-alone and enjoy yourself thoroughly. You’ll just get even more satisfaction if you start from the beginning with The Tomb.

Jack is just a neat character, a down-to-earth enigma. With each book, we learn more about his mysterious background. Jack’s girlfriend, Gia, also plays a welcome, larger role in the story.

Genuinely quirky characters, lots of action, a droll sense of humor and a spooky dose of the uncanny side-by-side with a behind-the-scenes look at how fake psychics work their tricks, all combine to make this a great read. Don’t miss this series.

rating system four crows


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Review: Kill Creek

Kill Creek – Scott Thomas, 2017.

Four wildly different horror writers, each slipping in their popularity, take a lucrative offer to get back in the spotlight: $100,000 for an intimate interview livestreamed from a famously haunted house.

Their destination: the house on Kill Creek. Site of the brutal murder of a mixed-race couple during the Civil War and more recently, the former home of two mysterious, disturbingly reclusive sisters.

Halloween night finds the authors, their interviewer, and one camerawoman alone in the ominous house.  Somewhat to their disappointment, nothing supernatural seems to happen.  No orbs, no rattling chains or wisps of ectoplasm.  But… something does happen. The real horror begins when each author returns home.

Kill Creek is a deliciously creepy tale.  Thomas revitalizes the classic haunted house theme with vividly atmospheric writing and finely-honed tension.  Small, subtle terrors give the reader satisfying shivers and ramp up the suspense.  Top things off with a nail-biting, gory finale and a quiet, sharp little dig at the end, and you’ve got wickedly good novel.

The characters as much as the house make the story great.  Sam, an author of small-town horror struggles with writer’s block.  Moore’s violent, hard-core, sex-laden books are too extreme for mainstream fans. Daniel, who makes his living on Christian teen scare novels, is losing his base.  Sebastian, king of the classic ghost story finds his writing relegated to the older generation.  The house will use each of their weaknesses.

Under all the terror, Thomas conveys a poignancy in each character’s desperate craving for relevance: In the need to balance their drive for self-expression with the desire to maintain personal space outside of their writing. Deep down, Kill Creek is also a story about the bittersweet nature of the creative act of writing.  But mostly, it’s a treat of a horror story. Nicely done, Mr. Thomas.

rating system four crowskill creek.jpg


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Review: In the Still of the Night

In the Still of the Night David L. Golemon, 2017.

The Supernaturals are back.

This time, we find the ragtag group of paranormal investigators facing prison for their unpopular work debunking haunted house reality shows.

Released by the FBI, Professor Kennedy and the team are tasked with saving the president of the United States.  The unpopular leader is in a coma, tormented by an entity – or entities – far more powerful than even the team’s old nemesis, Summer Place.

To rescue the president before an angry power is released on the world, the team must unravel ties to insidious Nazi experiment and investigate a contaminated California town that died in the 60’s but has been showing…unnatural…signs of life. They must also follow the memories of a young blind girl, whose death long ago is part of the puzzle.

Having just read The Supernaturals – fantastic, see last week’s review – I was thrilled to get this book for the holidays. Unfortunately, it left me a little disappointed.

In the Still of the Night feels rushed: it lacks polish, detail, and depth. It would benefit from a tighter editorial review.

The characters that Golemon built so carefully in The Supernaturals – Leonard, the tech whiz, tough cop Damian, and Jenny, the possessed professor to name a few – all return here, but attain no further development. Golemon relies significantly on what we know of the characters from the previous book, and consequently they feel flat.

We don’t get the same level of nail-biting suspense, either, because In the Still of the Night charges largely down a single path: there aren’t as many diverse story threads coming together for an intense finish.

There are some great bits, however. The plot is uniquely imaginative. Gloria, the blind girl, is a beautifully developed character and the most interesting one in the book. The power of dream walking is expanded in the story – largely for flashbacks – and offers an intriguing shift of perspective. We also get a nostalgic look back at ‘50s and early ‘60s rock music classics, that will leave a few oldies stuck in your head at the end of various chapters.

In the Still of the Night is a good book: fast-paced and entertaining, and I am glad I read it. I enjoyed following Professor Kennedy and his team on this adventure. The Supernaturals is simply better-written. I would very much like a third book featuring these characters. Just, one that’s as masterful as the first.

rating system three crows


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Review: The Supernaturals

The Supernaturals David L. Golemon, 2016.

The last time parapsychology professor Gabriel Kennedy set foot in Summer Place, one of his students disappeared.  Kennedy turned from a cocky skeptic into a believer: Something evil lives in Summer Place.

Badgered by a cutthroat television producer – and his conscience – Kennedy agrees to return to investigate Summer Place for the filming of a live Halloween special.

But Kennedy isn’t going back to investigate, he’s going back to fight. And Summer Place plans to win.

Kennedy assembles a team of friends with unusual talents including a psychic, a young computer maven from the ‘hood, a Native American dream walking sheriff and a possessed paleontology professor – trust me, this all works somehow – and together they prepare to face down Summer Place.

Golemon based his story on a personal encounter: after visiting a beautiful three-story mansion for a total of two minutes he fled with the disturbing sense that the house was aware of him, and not thrilled he was there. Golemon vowed never to return. In The Supernaturals, Golemon neatly creates this lurking sentience in Summer Place and crafts a deep mythos for his fictional house of horrors.

The Supernaturals is flat-out a great haunted house story. The tale starts strong and builds suspense to nail-biting levels by the tense climax. Standard ghostly tropes are taken to the extreme and freshened with unexpected twists.

We also get a fascinating, behind-the-scenes perspective of all those popular paranormal investigator shows. For as the story progresses, we see Summer Place through the eyes of Kennedy and his crew as well as through the eye of the tv camera. This cinematographic aspect adds an immediacy to events – putting the reader front and center in the supernatural mix along with the camera people. It also gives a deeply visual facet to our reading experience.

Kennedy’s crew battles deceit, entertainment industry egos, disbelief, and dark secrets in their fight against the malevolence that imbues Summer Place. Can they win? Can they survive? At what cost? Don’t miss this one.

rating system four crows


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Review: Stalked in the Woods

Stalked in the Woods: True Stories – Stephen (Steph) Young, 2016.

I’m not going to mince words: this book was a sad disappointment.

Having recently moved to a home surrounded by tall, somewhat sinister woods, I was truly looking forward to creeping myself out with this book. Instead it left me irritable.

Stalked in the Woods reads like a leveled book for upper elementary school students. On the plus side (maybe?): There are no hard words for you to worry about.

On the minus side: You are stuck trying to parse your way through so much awkward phrasing and writing mistakes (thanks to crummy – if any – editing), that any potentially spooky content is lost in frustration. This is maddening, because there are a few stories that could have been chilling.

Mistakes abound: eccentric and random capitalization of nouns, wrong choices of homophones (their/they’re), inconsistent use of single and double quotation marks, problems with possessive apostrophes, and a bizarrely hyperbolic use of the ellipsis. You know, those three little periods trailing off to end a sentence in suspense… In this book, they are variably punctuated with sometimes three periods… or four periods…. sometimes there are five periods….. and on one occasion, eight periods…….. Yes, I counted them. It was making me crazy. There are misspellings. One story, for instance, takes place in the “Missouri Oxark’s [sic].” Double whammy, there.

Editing mistakes aside – and trust me, it is hard to put them aside – there is distracting weirdness going on with the typography. Extra spaces between words. Random switches in font size. Line breaks in the middle of sentences. Some text unaccountably appears in italics. Other text is underlined.

The book is divided into categories of stalkings, sort of. They’re not all stalkings. They don’t all take place in the woods. They vary from disappearing hikers, to a story about Oliver Cromwell selling his soul to the devil, to man pursued by a bogart in England. No, not the ghost of Humphrey. I think they meant a traditional “boggart.”

After a section on vanishings, which reads like blandly re-written newspaper articles, Young switches perspective and presents stories from people who have contacted her to share their experiences. This does not – or should not – excuse all the grammar and vocabulary errors. The onus is on Young to produce a professional publication that doesn’t feel cut-and-pasted from her in-box. Additionally, you can’t always easily delineate where Young’s voice comes into the contributor’s retelling. All of this tragically gets in the way of some potentially spooky content.

For well-written books of creepy true accounts, I highly recommend any of Jim Harold’s Campfire series which compiles tales from his podcast contributors. Or try True Ghosts, which contains stories originally published in issues of Fate Magazine. Leslie Rule’s Coast to Coast Ghosts or any of her other well-researched and haunting titles are wonderful. These are all chillingly satisfying reads. None of them will leave you cranky. Hmmpf.

rating system one crow


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Review: The Haunted House Diaries

The Haunted House Diaries: The True Story of a Quiet Connecticut Town in the Center of a Paranormal Mystery. William J. Hall, 2015.

The first 173 pages of this book are absolutely riveting.  We are treated to perhaps the most well-documented, pervasive haunting across time of a 1793 New England home: The Fillie home in Litchfield, CT.

Starting in 1966 when she was sixteen years old, Donna Fillie recorded her observations of strange and paranormal events in her home on any scrap of paper she could find: from the backs of envelopes, to her kids’ school papers.  She continued her documentation all the way through the winter of 2015.

Fillie’s verbatim notes are straightforward, honest and intelligent.  She and her family take experiences in stride that would send others scrambling for a new home.

For instance, the Fillies have witnessed strange, elongated figures; jewelry gone missing and returned in different places; orbs; toys moving on their own; clocks that shouldn’t work ticking away; weirdly shaped creatures; voices laughing, groaning, and even talking; footsteps following family members throughout the house; even UFOs.  Fillie emphasizes that the family is not afraid, but desperately looking for answers.

Fillie’s integrity shines through her writing, as does her frustration with all the bizarre events taking place around her family.  She simply wants to know.  What does it all mean?  If spirits or entities can do all these things – from levitating glassware to raining money – why can’t they communicate more clearly?

It is the latter part of the book that is a letdown.  It struggles with organization and almost undermines Fillie’s heartfelt and carefully documented account.

Author William J. Hall, a performing magician and paranormal investigator, begins by cautioning us to be aware of our preconceived beliefs regarding paranormal.  How we interpret things is dependent on our life context and our own belief systems.  Yet Hall himself offers some potentially controversial beliefs from his own perspective as givens for us.  The existence of a multiverse. Possessions, and extending that, evil, are in the eye of the human-centered beholder and “can always dispelled without the use of any religion.”

We are then offered opinions on select elements of the hauntings in Fillie’s diary by two experts in the field, Paul Eno and Shane Sirios.  If you have not heard of them before reading this book, you are not given much of a background introduction to their work here.  Eno is known for his radio show, Behind the Paranormal, and Sirois is the founder of trueghost.com.  According to Hall, Sirios’ near-death experience has made him sensitive to otherworldly things and he has a 100% success rate “resolving” paranormal problems and parasites for people without using religion.

The investigation section covers a scant sixteen pages and is mostly impressions of things that Sirios senses in and around the home, such as someone running outside, a sensation of non-human entities, the perception of a protecting entity Native American spirit in backyard, and the feeling that the land is a portal to the multiverse.

It seems this investigation has taken place across multiple visits to the home, but the reader doesn’t get a good sense of its chronology or how it took place.  What methods were followed, what experiments were tried, what evidence was accumulated?  There are a few photographs, and references to EVP recording data that seems to validate the presence of a “Harry” who might have originally helped build the house.  But after reading Fillie’s methodical documentation, the investigation and analysis part of the book seems like a hodgepodge.

What begins as a fascinating account of one family’s dissolves into a mixed bag of opinions and snippets of investigation.  The Haunted House Diaries is definitely worth reading for the first half, and is frustratingly interesting for the second.


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Review: The House Where Evil Lurks

The House Where Evil Lurks: A Paranormal Investigator’s Most Frightening Encounter.  Brandon Callahan.  2014.

In the House Where Evil Lurks, Brandon Callahan and his team investigate the case of a hearing-impaired man who has been attacked in his own home by an unseen force. Callahan beings his narrative by rooting the reader in his uniquely personal vision of what paranormal investigation should be.

Life experiences in the Air Force, struggles with organized religion, and disturbing recurring nightmares all helped drive Callahan to follow a calling as a paranormal investigator. But not just any investigator: Callahan deeply believes in the goal of helping others who are troubled by evil and fear in their homes, unlike other groups that use distressed families to further their own recognition or fame.  Additionally, he is passionate about the broader picture of paranormal investigation.

With his vision firmly in place, Callahan starts his investigative journey. We are introduced to Callahan’s tight-knit team: his brother and his sister-in-law, his good friend who is also a sensitive, and several other trusted teammates.

When Brandon and his team investigate the Missouri home, they discover that it is a hotbed of paranormal activity.  Using EVPs, flashlight communication, and a ghost box the team receives astounding results: contact with multiple entities in the house including one or more that are openly hostile.  Perhaps foolishly, Callahan performs a Ganzfeld sensory-deprivation experiment, thereby opening himself to the spirits.  This turns out to be a choice that has dangerous ramifications when something follows him and his team members home.

In The House Where Evil Lurks, Callahan bares his soul: sharing his own inner conflicts with organized religion and its lack of willingness to help those in need.  His writing is blunt and immediate.  Despite the narrative being rough around the edges and feeling a bit like a cross between memoir-meets-screenplay, it is a fascinating and disturbing read. One appreciates the author’s forthright approach and commitment to his philosophy.