My Haunted Library

All things spooky. Your source for paranormal and supernatural book and movie reviews, strangeography, Halloween crafts and a little cozy fall baking.


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Review: Where the Sun Goes to Die

Antisocial monster hunter Jonathan Crowley and his companion, the albino former undertaker Mr. Slate, canvass the Old West, giving what for to werewolves and schooling shapeshifters in Moore’s darkly enjoyable collection of tales.

Where the Sun Goes to Die—James A. Moore, 2019. Rating: 4/5

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Where the Sun Goes to Die follows events in that occur in Boomtown, (see my review here), where Crowley and Slate’s efforts to fend off reanimated corpses, a malevolent wizard, and a group of possessed Native Americans leaves the town of Carson Point, Colorado a bit worse for wear. As in, well, decimated. I.e., bloodbath. Where the Sun Goes to Die stands successfully on its own gruesome feet, so you don’t need to read Boomtown first, but it does give a little more background on Slate and Crowley’s odd relationship.

Mr. Lucas Slate, once a genteel mortician, is becoming…something else. Judging by others’ terrified reactions to his gaunt and growing frame, whatever he’s changing into is the antithesis of his normally soft-spoken self. Slate is travelling with Crowley to discover the nature of his transformation. Crowley is keeping a weather eye on Slate, coolly ready to dispatch his companion if—when—Slate becomes a monster.

On their journey, they encounter a demon train and a parasitic preacher. They get caught in a conflict between soldiers, Apaches, and a Skinwalker who looks remarkably like Mr. Slate. In a story co-authored by Charles R. Rutledge, Crowley, Slate, and a fellow hunter rescue a stagecoach from werewolves.

Where the Sun Goes to Die is flat-out fun. That is, if your idea of fun involves supernatural throwdowns, gunfights, and general carnage. The grimly charismatic Crowley, as always, carries the tales. Crowley is just…cool. He has magical powers and does not appear to age. He is compelled to aid (fellow?) humans if asked for help. He is irascible. Unimposing. He revels a little too much in a fight. And he doesn’t suffer fools—or really anyone—gladly. But every now and then, there’s just the slightest whisper that there may be, or was, an iota of heart under that tough, techy hide. Mr. Slate complements Crowley nicely. The two remind me vaguely of Mr. Wint and Mr. Kidd from Diamonds Are Forever with their formal addresses and occasional dry banter. But Mr. Crowley and Mr. Slate are good guys. Mostly. Fans of westerns and the paranormal will appreciate this genre-bending treat.


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Review: Boomtown

Boomtown—James A. Moore, 2019.  3.5/5

Jonathan Crowley is pissed.

It is 1869 and he’s been killed. Again. This time by a gang of renegade soldiers while trying to defend a helpless Irish family. Now, having been prised out of the ice and mud, he’s back and out for revenge. He is so focused on revenge that quite frankly, Mr. Crowley is not interested whatsoever in helping the humans in Carson Point, Colorado fight off an ancient and powerful evil. Or in stopping the wizard Albert Miles who’s got his own dark designs on the town. Yep, Crowley’s putting his monster-hunting mission on the back burner while he goes after the men who killed him.

It doesn’t matter that the conscientious albino undertaker, Mr. Slate, is having trouble keeping dead bodies, well, dead. They’ve taken to leaving the mortuary and hanging malevolently around the edges of town. Crowley doesn’t care that a group of Native Americans (also very dead) seem to be possessed by…something…and are changing into something even worse. Or that a monster is eating folks’ horses. Or that the town deputy, in charge now because the sheriff is—you guessed it—dead, is fathoms out of his league. Crowley’s got one thing in mind: payback.

Jonathan Crowley ranks up there as one of my favorite characters. Known to bad guys as The Hunter, he’s been around for centuries protecting humankind from nameless evils. He’s an average-looking, bespectacled fellow who packs a mighty aura of menace and a smile that makes evildoers think again (if they’re smart enough). Humans make Crowley impatient. Stupidity makes him extremely irritable. And evil things that prey on humans? They elicit a violent zero-tolerance policy. Usually.

Boomtown is dark Western horror. Moore’s author’s note (“Warning Shots”) informs us up front that this title is especially grim because of—unusual for Moore—violence towards women and young children. We’ve got cringeworthy monsters and a unique, seemingly immortal adversary. There’s a lot going on between competing evil powers, gunfights, and magical battles.

Moore excels at making us feel the bitter high-country winter and gritty frontier atmosphere. We learn quickly that the book’s title is ironic. The miners, immigrants, former slaves, and merchants are all out to make fortunes in a town that is a supernatural bust.

Boomtown is a standalone Crowley tale, and I enjoyed it as a grim shoot-em up with a character I enjoy. But believe it or not, I wanted a little more of the humans’ side of the story. (Who would have thought I’d ever say that?) It’s true: I needed a little more connection to the supporting characters in order for the creepy stuff (and carnage) to be totally effective.

If you’re already a fan, you’ll like Boomtown. If you’re new to Mr. Crowley, I’m going to suggest you meet him as I did with the 3-book Serenity Falls series. Writ in Blood is first: neatly plotted, very creepy, truly great horror. I think the series is out of print, but you can find used copies, or check your library. Definitely worth it.

rating system three and a half crows


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Best of 2018

There’s a little something for everyone in this year’s top five. Er, six. O.k., maybe seven. (I had to throw in the UFO thriller. And the movie.)

But these are my favorites. We’ve got a western, a Gothic mystery, demonic possession, cryptids, a freakish carnival…Some of these reads are hauntingly, existentially mind-blowing. Some are just great fun. Some will trick you. They’re all magnificent. Text links are to my extended reviews, image links take you to Amazon. Really, all of these books I’d read again, and the movie I’ll definitely watch again. So, yes, I’m glad I own them. You would be too.

Train to BusanFilm directed by Sang-ho Yeon. 2016. You’re in for a bloody and deadly ride on this train when a viral outbreak turns folks into savage, fast zombies. Awesome action sequences and even a little bit of tear-jerking make this South Korean film a gem.

A Head Full of GhostsPaul Tremblay, 2015. An unforgettably disturbing tale of a 1980’s working-class family that deals with the demonic possession of their oldest daughter by letting a reality tv show document the teen’s paranormal behavior and exorcism. But there’s so much, much, more to the story… Multiple narrators, (sort of) make us question the reality of our memories. Profoundly chilling.

Devil’s CallJ. Danielle Dorn, 2017.  Pregnant Li Lian pursues her husband’s killer from New Orleans across the badlands of South Dakota in typical revenge-western style. The difference? She’s a witch. And the killer she’s after isn’t exactly human. Great genre mash-up with a fierce female heroine.

Those Across the RiverChristopher Buehlman, 2011.  A college professor discovers that ending a southern small town’s odd ritual has horrifying results. You can almost feel the slow southern heat and the simmering malevolence of the sinister folks across the river in this sensual, evocative, surprising novel.

A Brush with ShadowsAnna Lee Huber, 2018. It is 1831. Lady Kiera Darby and her inquiry agent husband, Gage, are summoned to the ominous family manor to find Gage’s missing ne’er-do-well cousin, last seen on the perilous moor. A deliciously spooky atmosphere, ominous dreams, and whispers of witchcraft combine with some solid character building to make this Gothic mystery my favorite in the series so far.

The Rib From Which I Remake The WorldEd Kurtz, 2016. Midnight showings from a travelling picture show bring black magic, madness, and murder home to folks in a small 1940’s town. It is up to a hotel detective, Jojo, to unravel the truth. But what he finds makes him question both the very nature of reality and his own existence. Brilliantly written and deeply creepy, this is a stunner of a read.

The OthersJeremy Robinson, 2018. PI Dan Delgado takes on almost every conspiracy theory known to man—UFOs, subterranean bases, polygamous sects, cattle mutilations, the 37th parallel, nanites, empaths—in his quest to find an abducted child. I had to add this to the list just because it is sheer over-the-top, action-packed, good-hearted fun.
   


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Review: Devil’s Call

Devil’s Call—J. Danielle Dorn, 2017. 4/5

Witches roam the wild west in this beguiling tale of magic, vengeance, and one tough-as-nails enchantress.

A wild child in her youth, Li Lian grew up sheltered by her extended family of female witches.

Along comes a gentle Mexican War veteran who unexpectedly steals her heart and together they wind up in Nebraska Territory, where Li Lian is pregnant with their first child.

When her husband is killed by a trio of travelers, Li Lian and an unexpected ally pursue them from New Orleans to the badlands of South Dakota and beyond. But dark portents along their trail suggest that the leader of the bad guys may be more than a match for Li Lian’s powers.

Devil’s Call takes a simple storyline—the typical revenge western—and neatly and believably weaves it together with a story of practicing Scottish witches. Instead of seeming forced, this works. It makes the western theme feel fresh and adds an unexpected layer of depth. Readers are treated to the best of multiple genres: ancient magic worked by powerful female characters, and good, old-fashioned western shoot-outs.

The story’s success rests in its narrator. Li Lian chronicles the tale herself, recording details past and present for her unborn child. Her voice rings true in best tradition of oral storytellers. We root for her. She’s a fierce heroine. We empathize with her love, her loss, and her avenging spirit. We hear her regrets in the things says—and doesn’t say. We get tantalizing glimpses of her magical heritage that leave us wanting to know more about her world.

Devil’s Call is an unusual, effective mashup: a whip-quick, exciting read that will resonate even after you put it down.

rating system four crows