My Haunted Library

All things spooky. Your source for paranormal and supernatural book and movie reviews, strangeography, Halloween crafts and a little cozy fall baking.


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Review: Where the Sun Goes to Die

Antisocial monster hunter Jonathan Crowley and his companion, the albino former undertaker Mr. Slate, canvass the Old West, giving what for to werewolves and schooling shapeshifters in Moore’s darkly enjoyable collection of tales.

Where the Sun Goes to Die—James A. Moore, 2019. Rating: 4/5

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Where the Sun Goes to Die follows events in that occur in Boomtown, (see my review here), where Crowley and Slate’s efforts to fend off reanimated corpses, a malevolent wizard, and a group of possessed Native Americans leaves the town of Carson Point, Colorado a bit worse for wear. As in, well, decimated. I.e., bloodbath. Where the Sun Goes to Die stands successfully on its own gruesome feet, so you don’t need to read Boomtown first, but it does give a little more background on Slate and Crowley’s odd relationship.

Mr. Lucas Slate, once a genteel mortician, is becoming…something else. Judging by others’ terrified reactions to his gaunt and growing frame, whatever he’s changing into is the antithesis of his normally soft-spoken self. Slate is travelling with Crowley to discover the nature of his transformation. Crowley is keeping a weather eye on Slate, coolly ready to dispatch his companion if—when—Slate becomes a monster.

On their journey, they encounter a demon train and a parasitic preacher. They get caught in a conflict between soldiers, Apaches, and a Skinwalker who looks remarkably like Mr. Slate. In a story co-authored by Charles R. Rutledge, Crowley, Slate, and a fellow hunter rescue a stagecoach from werewolves.

Where the Sun Goes to Die is flat-out fun. That is, if your idea of fun involves supernatural throwdowns, gunfights, and general carnage. The grimly charismatic Crowley, as always, carries the tales. Crowley is just…cool. He has magical powers and does not appear to age. He is compelled to aid (fellow?) humans if asked for help. He is irascible. Unimposing. He revels a little too much in a fight. And he doesn’t suffer fools—or really anyone—gladly. But every now and then, there’s just the slightest whisper that there may be, or was, an iota of heart under that tough, techy hide. Mr. Slate complements Crowley nicely. The two remind me vaguely of Mr. Wint and Mr. Kidd from Diamonds Are Forever with their formal addresses and occasional dry banter. But Mr. Crowley and Mr. Slate are good guys. Mostly. Fans of westerns and the paranormal will appreciate this genre-bending treat.


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Review: Boomtown

Boomtown—James A. Moore, 2019.  3.5/5

Jonathan Crowley is pissed.

It is 1869 and he’s been killed. Again. This time by a gang of renegade soldiers while trying to defend a helpless Irish family. Now, having been prised out of the ice and mud, he’s back and out for revenge. He is so focused on revenge that quite frankly, Mr. Crowley is not interested whatsoever in helping the humans in Carson Point, Colorado fight off an ancient and powerful evil. Or in stopping the wizard Albert Miles who’s got his own dark designs on the town. Yep, Crowley’s putting his monster-hunting mission on the back burner while he goes after the men who killed him.

It doesn’t matter that the conscientious albino undertaker, Mr. Slate, is having trouble keeping dead bodies, well, dead. They’ve taken to leaving the mortuary and hanging malevolently around the edges of town. Crowley doesn’t care that a group of Native Americans (also very dead) seem to be possessed by…something…and are changing into something even worse. Or that a monster is eating folks’ horses. Or that the town deputy, in charge now because the sheriff is—you guessed it—dead, is fathoms out of his league. Crowley’s got one thing in mind: payback.

Jonathan Crowley ranks up there as one of my favorite characters. Known to bad guys as The Hunter, he’s been around for centuries protecting humankind from nameless evils. He’s an average-looking, bespectacled fellow who packs a mighty aura of menace and a smile that makes evildoers think again (if they’re smart enough). Humans make Crowley impatient. Stupidity makes him extremely irritable. And evil things that prey on humans? They elicit a violent zero-tolerance policy. Usually.

Boomtown is dark Western horror. Moore’s author’s note (“Warning Shots”) informs us up front that this title is especially grim because of—unusual for Moore—violence towards women and young children. We’ve got cringeworthy monsters and a unique, seemingly immortal adversary. There’s a lot going on between competing evil powers, gunfights, and magical battles.

Moore excels at making us feel the bitter high-country winter and gritty frontier atmosphere. We learn quickly that the book’s title is ironic. The miners, immigrants, former slaves, and merchants are all out to make fortunes in a town that is a supernatural bust.

Boomtown is a standalone Crowley tale, and I enjoyed it as a grim shoot-em up with a character I enjoy. But believe it or not, I wanted a little more of the humans’ side of the story. (Who would have thought I’d ever say that?) It’s true: I needed a little more connection to the supporting characters in order for the creepy stuff (and carnage) to be totally effective.

If you’re already a fan, you’ll like Boomtown. If you’re new to Mr. Crowley, I’m going to suggest you meet him as I did with the 3-book Serenity Falls series. Writ in Blood is first: neatly plotted, very creepy, truly great horror. I think the series is out of print, but you can find used copies, or check your library. Definitely worth it.

rating system three and a half crows


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Review: One Bad Week

One Bad Week – James A. Moore, 2017.  Rating: 4/5

Jonathan Crowley, the cranky, immortal badass from Moore’s Serenity Falls series is back, making life (and death) suck for a handful supernatural villains in this brief novel.

It’s Crowley’s job as a Hunter to help rid the world of irritating and deadly forces that interfere with humanity. But he doesn’t always like his job. And he isn’t especially nice to said humanity, either.

One Bad Week is a collection of loosely-tied together adventures. Crowley returns to Serenity Falls to deal with a demonic clown out for payback. He investigates a family curse and deals with a few overly-demanding ghosts. Crowley’s vengeance turns personal when he follows up a lead on the demon that supposedly killed his family.

Because Crowley is just so darn engaging I can overlook some sub-par editing (typos, typeset issues) and the fact that maybe the tales could have used a little polishing. Then again, Crowley’s not that polished himself. The stories are violent and fun and enhanced by a wicked, dry sense of humor. We meet some old characters—good and evil—and get a glimpse into Crowley’s more personal history. If you’re a fan of Moore’s horror novels, One Bad Week is a treat.

For some masterfully-written, intense horror, I can’t recommend Moore’s Serenity Falls series highly enough. For those of us who simply need a good Crowley fix, this works just fine.

rating system four crows


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Review: Under the Overtree

Under the Overtree  James A. Moore, 2000.

Mark is the new kid in the tiny, tight-knit town of Summitville in the remote Colorado Rockies. He’s slightly chubby. Has low-self esteem. No surprise that he becomes the whipping boy of the local high school bullies. A bloody beating in the woods sets disturbing events in motion that will change Mark’s life forever. And may cost him his soul.

Remarkably, after Mark is physically scarred for life from his thrashing, things get better for him. He tentatively finds a girlfriend. Gets a job with the local bookstore owner who is also a popular horror writer. Makes a few friends in town. And makes friends with those odd little creatures in the forest. The people who bother him start to disappear. Get dismembered. Have the marrow sucked out of their bones.

Unbeknownst even to Mark himself, those strange little beings – that look a lot less cute to anyone else who lives long enough to see them – are changing him into something unnatural and very, very evil.

By the time the infamous Mr. Crowley comes to town, things are rapidly deteriorating in Summitville. Crowley is a reoccurring character in some of Moore’s novels: a not-very-nice, feral-smiling fighter of malicious forces. He is a treat of an antihero. It is up to Crowley to see if he can bring things back to normal. Or at least perform a little damage control.

Moore is a masterful writer. He spends time developing his place and his people. His characterization is subtle and nuanced, resulting in a wholly believable cast. The folks in Summitville could be your neighbors; you feel as if you know them and care about them – dark secrets, raw emotions and all. Similarly, Summitville, with its beautiful forest, small town main street, crisp mornings and fall trails through the woods could just as easily be your own little hometown.

Under the Overtree is a longer book with a slow build, which may turn off readers who want a quick fix of jump scares or a rapid series of bloodbaths.  Moore’s gradual increase in tension, however, makes the horror all the more shocking when it does occur because you have become so invested in the world of the book. Moore combines dry humor, a honed sense of the grotesque, and a dose of compassion for the human condition to make a crackerjack horror story.

Want more Mr. Crowley? I always do. Check out Moore’s brilliant Serenity Falls series which begins with Writ in Blood.
rating system four crows