The Man of Legends – Kenneth Johnson, 2017. Rating: 3.5/5
People who meet him think he’s an angel. He knows he’s cursed. He has been around for centuries. His mission on earth is electrifying.
Will, the mysterious man of legends, is always on the move, constantly striving to help mankind better itself, one person at a time. He is an empathetic ear, a nudge in right direction, a gift that changes your life. A savior of suicides, and protector of the defenseless. He has studied under the likes of Gandhi. He has influenced authors, inventors, and scientists; sharing ideas that have transformed the world.
The Catholic Church has been pursuing him across time. They must not catch him. And he must not give in to the sympathetic dark-haired man who appears in Will’s rare moments of weakness.
With The Man of Legends, Johnson, a prolific writer-director of both film and tv classics (including the original V miniseries) has created an intriguing genre-bender.
Johnson mashes together the thriller, historical fiction, an age-old legend, and a timeless conflict into a contemporary urban setting. It actually works. The writing moves fast, flipping between multiple points of view. We follow mainly the perspectives of Jillian, a jaded, racist tabloid reporter; Father St. Jacques, Will’s Vatican-empowered pursuer; a lover grown old; and Will himself. The story flashes back often to vividly-imagined turning points in history, then leaps back to the present where the storyline races to its crisis point. We learn Will’s secret, and a secret even more profound.
The Man of Legends is an absorbing read and one that would transfer easily to film—Johnson’s writing is so animated. Although at times the depiction of Will’s good deeds and their grateful recipients feels a little heavy-handed and cliché—edging towards saccharine—Johnson makes up for it with his evocative historical snapshots and the genuine poignancy of Will’s suffering. The Man of Legends delivers a unique, fast-paced tale that leaves you pondering the nature of redemption as well as the nature of evil—and the possibility of its salvation.