My Haunted Library

All things spooky. Your source for paranormal and supernatural book and movie reviews, strangeography, Halloween crafts and a little cozy fall baking.


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On Beloved Books, the Eccentricities of Librarians, and the Soul: Best Reads of 2017

If you ask a librarian what his or her favorite book is, you’ll probably get a bemused and somewhat pitying look. At worst you’ll get a polite brush off – librarians are almost unfailingly polite – a bright smile, and a placating non-answer like “The one I’m reading now!” or “Oh, I just can’t choose.”

The former reply is rarely true. The latter – well, much more likely.

If pressed, your librarian may come up with a single title. Quite possibly, it won’t be one of their favorite books. Quite probably, he or she will give you a title just to get you onto your own journey of discovery for your favorite book(s). Because, even though your question seems innocuous, its answer is deeply, deeply personal.

This is not that librarians don’t enjoy recommending books. Oh, my goodness, yes, they do! They love it. They read widely and have a massive knowledge of fiction and non-fiction that spans many genres: graphic novels to true-life survival literature and everything in between. They will interview you to find out what you like, and make some suggestions from there. This process has a name: readers’ advisory. We’re good at it. Yeah, did I mention I’m a librarian? I am.

But to pick just one book…as the best book ever in the world, across all time…almost impossible.

Now and then, you may find someone who stands adamantly behind one title that is the end-all be-all of their existence. Maybe it was deeply formative in their life. That’s o.k., and it is kind of rare to find.

But chances are, most people will need to give you a handful of favorites.

In my home, I have a lot of full-to-capacity bookcases. It’s an occupational hazard for bibliophiles. (Quick aside here: A friendly warning to other librarians that when moving across the country, as we did recently, your spouse may get irrationally frustrated when the extremely expensive moving truck’s weight is primarily devoted to your books. But hey, he knew he wasn’t marrying a collector of feathers or pressed flowers, right?)

Anyway, one entire bookcase in my home – o.k., two really – is devoted to books I reread regularly.

These books are my favorites. They range wildly from Watership Down, to the Complete Sherlock Holmes, to the Little House on the Prairie series.  The Stand, Hamlet, and The Great Brain. Death in Kenya, All Creatures Great and Small, and Where Eagles Dare.

These titles are my friends. They are books I can reread and feel like I’m where I should be. Every time I visit one again I find something different. A detail I missed. An image that gives me a new idea. Something unique to take back to my real life.

A favorite book speaks to something inside you: it resonates with your soul, it reflects a facet of your personality. These titles keep their relevance throughout changes in your life. You can read them when you are ten or forty-eight. I fully expect to read them still when I am eighty-four. My favorite books, of course, will not be the same favorite books as everyone else, because their importance to me is tied to the specific meanings they have in my life.

That’s why, when you offhandedly ask someone who loves books what their favorite book is, you are asking to see into their soul. Be mindful of this.

I read and reviewed a lot of books for you this year. I truly enjoyed all of them. (Well, except for three. Don’t read those. Really.) To pick the top five titles out of all those I’ve reviewed is a challenge, so I’m going with re-readability as my criteria. Of all those I read this year, here are the top five I would re-read. Links are to my reviews. May you continue to find many, many favorite books of your own.

Did I say top five? Oops.

Best of the Best 2017

Bird Box  Josh Malerman, 2014. Almost unbearably tense. A blindfolded mother and two children journey downriver to escape – something – that will drive them mad if they see it.

Monster Hunter International Larry Correia, 2007. A warm-hearted, shoot-em’ up (there is such a thing!) with fantastic characters and a great sense of humor.

The Elementals  Michael McDowell, 1981. Family secrets and powerful entities on Alabama’s Gulf coast. Exquisitely-written, slow burn, summer southern horror.

Broken Monsters Lauren Beukes, 2014. A cop story. A story about dreams and art. Pink doors in the wasteland that is Detroit. Surreal and brilliant and creepy.

Dogs of War Jonathan Maberry, 2017. Captain Joe Ledger and his team fight nanites and artificial intelligences to save the world from a tech apocalypse. Rip-roaring and well-crafted military sci-fi.

Under the Overtree James A. Moore, 2000. A small town and its folks are tormented by an old evil. Amazing sense of place and detailed character build. And of course, there’s the wonderfully infamous Mr. Crowley.

The Supernaturals David A. Golemon, A classic ghost story on steroids, complete with a tv broadcast, dream walking, psychics, and a possessed professor.

 

 

 

 

 

 


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Review: In the Still of the Night

In the Still of the Night David L. Golemon, 2017.

The Supernaturals are back.

This time, we find the ragtag group of paranormal investigators facing prison for their unpopular work debunking haunted house reality shows.

Released by the FBI, Professor Kennedy and the team are tasked with saving the president of the United States.  The unpopular leader is in a coma, tormented by an entity – or entities – far more powerful than even the team’s old nemesis, Summer Place.

To rescue the president before an angry power is released on the world, the team must unravel ties to insidious Nazi experiment and investigate a contaminated California town that died in the 60’s but has been showing…unnatural…signs of life. They must also follow the memories of a young blind girl, whose death long ago is part of the puzzle.

Having just read The Supernaturals – fantastic, see last week’s review – I was thrilled to get this book for the holidays. Unfortunately, it left me a little disappointed.

In the Still of the Night feels rushed: it lacks polish, detail, and depth. It would benefit from a tighter editorial review.

The characters that Golemon built so carefully in The Supernaturals – Leonard, the tech whiz, tough cop Damian, and Jenny, the possessed professor to name a few – all return here, but attain no further development. Golemon relies significantly on what we know of the characters from the previous book, and consequently they feel flat.

We don’t get the same level of nail-biting suspense, either, because In the Still of the Night charges largely down a single path: there aren’t as many diverse story threads coming together for an intense finish.

There are some great bits, however. The plot is uniquely imaginative. Gloria, the blind girl, is a beautifully developed character and the most interesting one in the book. The power of dream walking is expanded in the story – largely for flashbacks – and offers an intriguing shift of perspective. We also get a nostalgic look back at ‘50s and early ‘60s rock music classics, that will leave a few oldies stuck in your head at the end of various chapters.

In the Still of the Night is a good book: fast-paced and entertaining, and I am glad I read it. I enjoyed following Professor Kennedy and his team on this adventure. The Supernaturals is simply better-written. I would very much like a third book featuring these characters. Just, one that’s as masterful as the first.

rating system three crows


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Review: The Supernaturals

The Supernaturals David L. Golemon, 2016.

The last time parapsychology professor Gabriel Kennedy set foot in Summer Place, one of his students disappeared.  Kennedy turned from a cocky skeptic into a believer: Something evil lives in Summer Place.

Badgered by a cutthroat television producer – and his conscience – Kennedy agrees to return to investigate Summer Place for the filming of a live Halloween special.

But Kennedy isn’t going back to investigate, he’s going back to fight. And Summer Place plans to win.

Kennedy assembles a team of friends with unusual talents including a psychic, a young computer maven from the ‘hood, a Native American dream walking sheriff and a possessed paleontology professor – trust me, this all works somehow – and together they prepare to face down Summer Place.

Golemon based his story on a personal encounter: after visiting a beautiful three-story mansion for a total of two minutes he fled with the disturbing sense that the house was aware of him, and not thrilled he was there. Golemon vowed never to return. In The Supernaturals, Golemon neatly creates this lurking sentience in Summer Place and crafts a deep mythos for his fictional house of horrors.

The Supernaturals is flat-out a great haunted house story. The tale starts strong and builds suspense to nail-biting levels by the tense climax. Standard ghostly tropes are taken to the extreme and freshened with unexpected twists.

We also get a fascinating, behind-the-scenes perspective of all those popular paranormal investigator shows. For as the story progresses, we see Summer Place through the eyes of Kennedy and his crew as well as through the eye of the tv camera. This cinematographic aspect adds an immediacy to events – putting the reader front and center in the supernatural mix along with the camera people. It also gives a deeply visual facet to our reading experience.

Kennedy’s crew battles deceit, entertainment industry egos, disbelief, and dark secrets in their fight against the malevolence that imbues Summer Place. Can they win? Can they survive? At what cost? Don’t miss this one.

rating system four crows


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Review: Jackaby

Jackaby – William Ritter, 2014.

Since she was little, Abigail Rook has longed for the kinds of adventures that thrilled her in stories. Jealously following the exploits of her daring archeologist father, she determines to discover excitement by hook or by crook.

After absconding with her tuition money and ending up in New England, she takes a position as an investigative assistant to the peculiar Mr. R.F. Jackaby. In Jackaby’s employ, Abigail finds everything she’s looking for and then some.

Jackaby is a seer. Whether his ability is a blessing or a curse, he sees the extraordinary creatures of legend and lore that coexist alongside us humans.

In his hideous hat (made from yeti wool), long scarf, and bulky brown coat stuffed with arcane bits and bobs, Jackaby is a kind of Dr. Who of folkloric beasties. Science and magic exist harmoniously in his world view.

He can see the domovoi (Russian house spirit) and Klambautermann (German kobold, helpful to fishermen) that have attached themselves to Abigail.  What Jackaby can’t see as clearly are the mundane details of everyday life, those noticed by regular people. That’s where Abigail is his perfect complement.

As Jackaby and Abigail investigate several mysterious and bloody murders, Abigail’s initial skepticism of Jackaby’s abilities – and his sanity – vanishes. Her world view expands to include both the marvelous…and the horrible.

Jackaby is a genre-bending joy to read. Ritter suffuses the narrative with a warm-hearted yet often dry sense of humor that just leaves you smiling. The wintry, small-town Victorian setting is a beautifully realized blend of mundane and magic.

Jackaby and Abigail and the supporting cast – including the supernatural beasties – feel very modern and human in their vulnerabilities and beliefs and hopes. This is a testament to some fine character building.

Jackaby (book and character) is eccentric and clever and great fun. Anticipate a delightful afternoon’s read. I can’t wait to pick up the second volume in the series. And the third. And… You get my drift.

rating system four crows


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Review: Mist of Midnight

Mist of Midnight Sandra Boyd, 2015.

Fans of Gothic romance and period mystery will have their desires fulfilled in this alluring tale.

The sole member of her missionary family to survive the Indian Mutiny of 1857, emotionally battered Rebecca Ravenshaw returns home to England to claim her family estate and recover her peace and security.

Unfortunately, Rebecca discovers that she has already claimed her estate. Or rather, someone pretending to be her assumed her place as lady of the house, and then abruptly committed suicide.

Rebecca’s home is now occupied now by Hussar Captain Luke Whitfield, a very distant relation. A tall, dark, handsome, charismatic – and possibly dangerous – distant relation.

The real Rebecca must overcome the cool disbelief of both the staff and dashing Capt. Whitfield and prove her claim to the inheritance, all the while figuring out the identity of her imposter and if the lady really killed herself…or was murdered.

Mist of Midnight is a highly captivating romantic mystery with all the trappings: mysteriously locked rooms, scrawled warnings, a crumbling chapel, whispers of madness, horses and hunts, costume balls and chaperones, social calls and stolen embraces.

Boyd elevates Mist of Midnight beyond the standard, however, by making India as vivid a presence in the book as Hampshire. Lush sensory and historical detail bring India to life and add a level of complexity to Rebecca’s character: she is truly a unique daughter of two disparate yet connected lands.

We root for Rebecca to keep her chin up and rebuild her confidence as she finds her way in the English culture that has become strange to her. And we root for a happy ending, for of course, despite cries for caution, Rebecca has fallen head over heels with the dashing Captain.

Cliché? Maybe a little. Satisfying? Completely.

rating system four crows


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Review: Stalked in the Woods

Stalked in the Woods: True Stories – Stephen (Steph) Young, 2016.

I’m not going to mince words: this book was a sad disappointment.

Having recently moved to a home surrounded by tall, somewhat sinister woods, I was truly looking forward to creeping myself out with this book. Instead it left me irritable.

Stalked in the Woods reads like a leveled book for upper elementary school students. On the plus side (maybe?): There are no hard words for you to worry about.

On the minus side: You are stuck trying to parse your way through so much awkward phrasing and writing mistakes (thanks to crummy – if any – editing), that any potentially spooky content is lost in frustration. This is maddening, because there are a few stories that could have been chilling.

Mistakes abound: eccentric and random capitalization of nouns, wrong choices of homophones (their/they’re), inconsistent use of single and double quotation marks, problems with possessive apostrophes, and a bizarrely hyperbolic use of the ellipsis. You know, those three little periods trailing off to end a sentence in suspense… In this book, they are variably punctuated with sometimes three periods… or four periods…. sometimes there are five periods….. and on one occasion, eight periods…….. Yes, I counted them. It was making me crazy. There are misspellings. One story, for instance, takes place in the “Missouri Oxark’s [sic].” Double whammy, there.

Editing mistakes aside – and trust me, it is hard to put them aside – there is distracting weirdness going on with the typography. Extra spaces between words. Random switches in font size. Line breaks in the middle of sentences. Some text unaccountably appears in italics. Other text is underlined.

The book is divided into categories of stalkings, sort of. They’re not all stalkings. They don’t all take place in the woods. They vary from disappearing hikers, to a story about Oliver Cromwell selling his soul to the devil, to man pursued by a bogart in England. No, not the ghost of Humphrey. I think they meant a traditional “boggart.”

After a section on vanishings, which reads like blandly re-written newspaper articles, Young switches perspective and presents stories from people who have contacted her to share their experiences. This does not – or should not – excuse all the grammar and vocabulary errors. The onus is on Young to produce a professional publication that doesn’t feel cut-and-pasted from her in-box. Additionally, you can’t always easily delineate where Young’s voice comes into the contributor’s retelling. All of this tragically gets in the way of some potentially spooky content.

For well-written books of creepy true accounts, I highly recommend any of Jim Harold’s Campfire series which compiles tales from his podcast contributors. Or try True Ghosts, which contains stories originally published in issues of Fate Magazine. Leslie Rule’s Coast to Coast Ghosts or any of her other well-researched and haunting titles are wonderful. These are all chillingly satisfying reads. None of them will leave you cranky. Hmmpf.

rating system one crow


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Review: The Folcroft Ghosts

The Folcroft Ghosts  Darcy Coates, 2017.  YA

Grandparents provide most of the scares in this new young adult thriller.  That may sound a little on the tame side, but Coates does a respectable job instilling readers’ unease with the elderly.  Which, in this case, is a good thing.

When a freak car accident puts their mother in a coma, teen blogger Tara and her bookish younger brother Kyle find themselves staying with grandparents they’ve never met.

Everything is initially picture perfect.  Grandmother May is overjoyed to see them and bakes up a storm.  Grandfather Peter is on the gruff but kindly side.  What could go wrong?

There is the little problem that there’s no cell signal out in the country – so May kindly takes the kids’ cell phones to keep them safe.  And of course, there’s no internet out there, either.  There is a pier by the lake that looks fun – until they discover that Peter’s young sister drowned there.  Mysteriously locked rooms and strange apparitions in the night make Tara and Kyle realize the house is definitely haunted.  But ghosts aren’t the scariest things roaming about. Tara and Kyle begin to suspect that their grandparents aren’t quite what they seem to be.

The Folcroft Ghosts is a solid ghost story.  While it initially seems to echo M. Night Shyamalan’s film The Visit (2015), it takes its own unique turn at the denouement.

Coates does a nice job mirroring the emotional isolation of the kids – Tara only has internet friends, Kyle’s friends are books, and now their mother is completely out of reach – with the physically isolated and spooky atmosphere of the house. Many upper elementary and middle school readers will also relate to the siblings’ single-parent family stress. Although chilling discoveries at the finale may stretch our willing suspension of disbelief a little too far, The Folcroft Ghosts offers young readers an accessible, satisfying ghost story with enough spookiness & surprises to keep them entertained to the end.

rating system three crows


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Review: Under the Overtree

Under the Overtree  James A. Moore, 2000.

Mark is the new kid in the tiny, tight-knit town of Summitville in the remote Colorado Rockies. He’s slightly chubby. Has low-self esteem. No surprise that he becomes the whipping boy of the local high school bullies. A bloody beating in the woods sets disturbing events in motion that will change Mark’s life forever. And may cost him his soul.

Remarkably, after Mark is physically scarred for life from his thrashing, things get better for him. He tentatively finds a girlfriend. Gets a job with the local bookstore owner who is also a popular horror writer. Makes a few friends in town. And makes friends with those odd little creatures in the forest. The people who bother him start to disappear. Get dismembered. Have the marrow sucked out of their bones.

Unbeknownst even to Mark himself, those strange little beings – that look a lot less cute to anyone else who lives long enough to see them – are changing him into something unnatural and very, very evil.

By the time the infamous Mr. Crowley comes to town, things are rapidly deteriorating in Summitville. Crowley is a reoccurring character in some of Moore’s novels: a not-very-nice, feral-smiling fighter of malicious forces. He is a treat of an antihero. It is up to Crowley to see if he can bring things back to normal. Or at least perform a little damage control.

Moore is a masterful writer. He spends time developing his place and his people. His characterization is subtle and nuanced, resulting in a wholly believable cast. The folks in Summitville could be your neighbors; you feel as if you know them and care about them – dark secrets, raw emotions and all. Similarly, Summitville, with its beautiful forest, small town main street, crisp mornings and fall trails through the woods could just as easily be your own little hometown.

Under the Overtree is a longer book with a slow build, which may turn off readers who want a quick fix of jump scares or a rapid series of bloodbaths.  Moore’s gradual increase in tension, however, makes the horror all the more shocking when it does occur because you have become so invested in the world of the book. Moore combines dry humor, a honed sense of the grotesque, and a dose of compassion for the human condition to make a crackerjack horror story.

Want more Mr. Crowley? I always do. Check out Moore’s brilliant Serenity Falls series which begins with Writ in Blood.
rating system four crows  


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Review: Sacculina

Sacculina Philip Fracassi, 2017.

An innocent fishing trip turns deadly – and gross – in this lean, whip-fast novella.

Mild Jim and his newly-ex-felon older brother Jack, together with their sad father Henry and Jack’s hulking friend Chris, charter a boat for a combination of male family re-bonding and get-out-of-prison celebration.

There are valid concerns about the seaworthiness of the tiny boat and its decrepit captain, but the symbolism of the trip and is message of reunification override caution, and Captain Ron takes the group on a nauseating trip out to deep water.

Soon, they’ve run through the beer. There are no fish.

But there’s something else. Something very bad. I won’t tell you, but the title will, if you do a little research

The trip rapidly goes to hell as the men fend off disgusting creatures invading their boat…and their bodies.

Sacculina is a lightning, one-sitting read simply because once you begin, the breakneck pace, spare writing and swiftly escalating horror suck you in. Fracassi’s characters are quick-drawn but vital.  A sense of familial connection, of childhood tensions past and present, inform their actions and personalities.  Sacculina is like reading a great episode of a disturbing television show. A wetly gruesome television show. I would have loved even more – a two-hour version, maybe – but the story is tight and complete as is.  Great read.

(They did need a bigger boat.)
rating system four crows


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Review: Mr. Wicker

Mr. Wicker Maria Alexander, 2014.

crow on books small copped super shortHorror author Alicia Baum has lost everything in her life: her husband, her talent, and most importantly, a childhood memory she didn’t even know she had.

When her suicide attempt lands her in a mysterious Library between worlds, she encounters Mr. Wicker – a strange being who takes damaging childhood memories and puts each in a book with the young owner’s name on it. This has the dubious result of scarring the children for life to an even greater extent than the harmful memory itself would have.

Mr. Wicker sends Alicia back to the land of the living and she awakens in the psych ward of her local hospital. There she makes friends and enemies and meets ally Dr. Farron, a child psychiatrist who is trying to discover why little children in his care whisper the name Mr. Wicker in their sleep. Together they try to uncover Alicia’s lost memory and save her from Mr. Wicker. Except Mr. Wicker isn’t that bad. And Alicia doesn’t seem to really want to be saved from him.

That is the gist of the plot. Really, however, it is much more complicated and at times confusing. Mr. Wicker has flashes of beauty and wonder and tantalizing dark imagery. The story is creative and fresh, but simultaneously frustrating. We don’t understand exactly why Mr. Wicker is a bad guy, or really, why what he is doing is that bad. He seems more a tragic hero than an ill-intentioned entity. The druidic backstory – where Alexander’s writing really comes into its own – paints Wicker rather to be a more of a savior of his people than abandoned by his gods. Similarly perplexing, his nemesis across time is the ostensible hero of the present-day story.

Alicia herself is a challenging heroine.  It is difficult to understand her 180-degree swings of sexual attraction and mood unless we chalk it up to her depression and lost memory.  We don’t quite know her well enough – until almost the story’s end – to care much about her. The narrative also switches viewpoints abruptly and often, making it an effort to pick out the wisps of plot threads and piece them together.

Mr. Wicker has great bones: a fascinating plot concept, lyrical imagery and potentially compelling characters.  Unfortunately, uneven development of those characters and of the storyline weaken its impact.
rating system three crows